Revising has brought about a few observations (as it always does) . . .
#1) Murdering your darlings.
I once read that finishing a novel is like taking a child out into the yard and shooting it. This is not far off. Imagination can be a helluva thing, and this feels the same. In revision the phrase given above stems from the feeling of sacrificing the story, its heart, soul, and all we wished to convey for structure. Oh, how I can attest to that march of red...but, it has its purpose.
#2) Substance is nothing without setup.
The greatest lyric line I have ever heard, comes from Miranda Lambert's Mama's Broken Heart. "Word got around to the barflies and the Baptist" In itself, it is quite eloquent, but, taking in the entire verse prior to it... POW! It is perfection!! Substance is, in deed, nothing without setup. And it bears repetition.
#3) Writers are full of themselves.
True. And false. How we want it, how the characters need it, and how the language requires it rarely ever align. I'm vowing to keep the characters whole and their story true. At the same time, skill of craft dictates I strive to improve my usage. Over time, as always, there will be an evolution in the words I place on the page. Ego, I hang outside for those no idea days, where I can dress it up as a scarecrow and name it Fred.
#4) There will be times in revision where you will regret (rue) the day you ever said, "I'll fix it later."
Guess what. It's later! And the first rule of writing--just get it on the page--has come back to bite you in the arse. Trust me, been there. Am here. Solution? Fix it. This is where you can stop the world and nit pick it into place and polish to your heart's content. Just . . . stop while the shine is good. Then give it a twenty-four hour rest before doing it again.
Some pages are all post-its...takes six to do it. One page has eight. This is not where we writers waver and bend to breaking. This is a writer's trial by fire and where we become tempered to get this right.
For a lot of years, I wrote under pseudonyms. I never cared for people to know I did this--as a hobby and for print. It was never an, oh, I do this, kind of thing. People made such a big deal about it that I kept to my comfy little cubbyhole. A hand-me-down desk in my apartment's back room. That was where I lived, where I played, where I worked; where I wrote the most horrible slosh while waiting for that proverbial lightning strike.
That, my friend, is life. Never was it glory. And it's still not. I do this now because it is still me. The only change: I want to tread on my own name. And, that, I do because I am who I am. I never wish to be anyone else. In Tarot, the Fool emerges for a journey, a great adventure of discovery. At a certain point of that, he casts off trappings (picked up along the way) for his, once again true self. My wheel came around. Ha, ha.
I put this out because this is how this works. This is also a pass/fail of self-publishing. If I flop, don't take my advice. If I make it, solely on my own, use the bits of this you need and blaze your own trail. I will raise a beer for you either way. A toast to Success is always a worthwhile drink (even if you missed for the moment, the next bit of effort may win the prize). Never stop. Never give up. Never turn your back on yourself, but, mostly, your characters. Ha, ha! They never go away and know where you live.


